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John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Reine des fees

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Grand combination for the 4th time on the English stage of the celebrated artistes Monsieur Albert, Monsieur Albert, fils, Madamoiselle Noblet, and Madamoiselle Dupont, principal dancers of the Academie Royale de Musique at Paris. This evening, Saturday, May 10, 1834, will be performed (4th time) on the English stage, a new grand ballet in 3 acts, called The fairy slipper founded on the celebrated ballet of Cendrillon composed by Mons. Albert ... The music composed by Monsieur Sor ... After which (15th time) a new farce to be called A good looking fellow ... To conclude with Weber's grand romantic opera of Der Freischutz! ...

by Carl Maria von Weber

Cover of Grand combination for the 4th time on the English stage of the celebrated artistes Monsieur Albert, Monsieur Albert, fils, Madamoiselle Noblet, and Madamoiselle Dupont, principal dancers of the Academie Royale de Musique at Paris. This evening, Saturday, May 10, 1834, will be performed (4th time) on the English stage, a new grand ballet in 3 acts, called The fairy slipper founded on the celebrated ballet of Cendrillon composed by Mons. Albert ... The music composed by Monsieur Sor ... After which (15th time) a new farce to be called A good looking fellow ... To conclude with Weber's grand romantic opera of Der Freischutz! ...
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Buy this book More books like Grand combination for the 4th time on the English stage of the celebrated artistes Monsieur Albert, Monsieur Albert, fils, Madamoiselle Noblet, and Madamoiselle Dupont, principal dancers of the Academie Royale de Musique at Paris. This evening, Saturday, May 10, 1834, will be performed (4th time) on the English stage, a new grand ballet in 3 acts, called The fairy slipper founded on the celebrated ballet of Cendrillon composed by Mons. Albert ... The music composed by Monsieur Sor ... After which (15th time) a new farce to be called A good looking fellow ... To conclude with Weber's grand romantic opera of Der Freischutz! ...

Mad. Montessu having, on Monday last, been honoured with the most enthusiastic applause, will make her second and last appearance on the English stage to-morrow evening. To-morrow, (Thursday) February 21, 1833, will be performed the play of The iron chest ... with a favourite divertissement, by all the principal dancers. After which, the grand ballet of Masaniello (from the King's Theatre) with all its original splendour of scenery, dresses & decorations, in which Madame Montessu ... will make her second and last appearance on the English stage. The ballet composed by Mons. Deshayes. The music by Auber. ... The public is respectfully informed that the sacred performances during Lent will commence at this Theatre on Friday next, Feb. 22, 1833, when will be represented (for the first time in this country) an oratorio consisting of sacred music, scenery, & personation, entitled The Israelites in Egypt, or, The passage of the Red Sea. The music composed wholly by Handel and Rossini. (Adapted by M. Rophino Lacy.)

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

Cover of Mad. Montessu having, on Monday last, been honoured with the most enthusiastic applause, will make her second and last appearance on the English stage to-morrow evening. To-morrow, (Thursday) February 21, 1833, will be performed the play of The iron chest ... with a favourite divertissement, by all the principal dancers. After which, the grand ballet of Masaniello (from the King's Theatre) with all its original splendour of scenery, dresses & decorations, in which Madame Montessu ... will make her second and last appearance on the English stage. The ballet composed by Mons. Deshayes. The music by Auber. ... The public is respectfully informed that the sacred performances during Lent will commence at this Theatre on Friday next, Feb. 22, 1833, when will be represented (for the first time in this country) an oratorio consisting of sacred music, scenery, & personation, entitled The Israelites in Egypt, or, The passage of the Red Sea. The music composed wholly by Handel and Rossini. (Adapted by M. Rophino Lacy.)
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Buy this book More books like Mad. Montessu having, on Monday last, been honoured with the most enthusiastic applause, will make her second and last appearance on the English stage to-morrow evening. To-morrow, (Thursday) February 21, 1833, will be performed the play of The iron chest ... with a favourite divertissement, by all the principal dancers. After which, the grand ballet of Masaniello (from the King's Theatre) with all its original splendour of scenery, dresses & decorations, in which Madame Montessu ... will make her second and last appearance on the English stage. The ballet composed by Mons. Deshayes. The music by Auber. ... The public is respectfully informed that the sacred performances during Lent will commence at this Theatre on Friday next, Feb. 22, 1833, when will be represented (for the first time in this country) an oratorio consisting of sacred music, scenery, & personation, entitled The Israelites in Egypt, or, The passage of the Red Sea. The music composed wholly by Handel and Rossini. (Adapted by M. Rophino Lacy.)

Achilles

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Il Don Giovanni

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The Grand Duchess Opera Company

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The drum-major's daughter

by Geoffrey Wilson

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A new version of Sweethearts

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Letters on dancing

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The beggar's opera

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The innkeeper's daughter

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Lady Madcap

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Great attraction for this night ... Sig. Berettoni has the honor of announcing that, by the kind permission of Monsieur Laporte and the valuable assistance of the eminent artists of the King's Theatre, he will take a benefit at this Theatre ... This evening, Monday, August 3, 1835, will be performed, for the second time on the English stage, Rossini's opera buffa (compressed into one act) entitled Il barbiere di Siviglia ... After which will be performed the principal scene from Guecco's [sic] opera buffa, called La prova d'un opera seria ... The evening's performances will terminate with the popular ballet of La Sylphide as performed at the King's Theatre ...

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

Cover of Great attraction for this night ... Sig. Berettoni has the honor of announcing that, by the kind permission of Monsieur Laporte and the valuable assistance of the eminent artists of the King's Theatre, he will take a benefit at this Theatre ... This evening, Monday, August 3, 1835, will be performed, for the second time on the English stage, Rossini's opera buffa (compressed into one act) entitled Il barbiere di Siviglia ... After which will be performed the principal scene from Guecco's [sic] opera buffa, called La prova d'un opera seria ... The evening's performances will terminate with the popular ballet of La Sylphide as performed at the King's Theatre ...
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The young lady's book

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The ball-room manual of contra dances and social cotillons with remarks on quadrilles and Spanish dance

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Harlequin in his element, or, Fire, water, earth, & air

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Two faces under a hood

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Two Coppelias

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The catch of the season

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Blanche, or, The rival fairies

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Toto

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The boy

by Arthur Wing Pinero

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Mr. Jericho

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The House of Lords

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Belisario

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Ballroom drill

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The happy courtezan, or, The prude demolish'd

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Pauline

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The silver slipper

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Pliés please

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The little genius

by Alexander Landesberg

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Captain Billy

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Merrie England

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Guide to dancing

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Corps style marching

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Manon Lescaut

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Dick's quadrille call-book and ball-room prompter

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The musical tour of Mr. Dibdin

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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L'amour et la danse

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Cupid and Psyche, or Colombine-Courtezan

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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La Cenerentola

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Anyone can dance socially ...

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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"Incognita"

by Charles Lecocq

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Zemira e Azore

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Thorough bass simplified, or, The whole theory & practice of thorough bass, laid open to the meanest capacity

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The correct method of German & French waltzing

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The entertainments, set to musick, for the comic-dramatick opera, called, The lady's triumph

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Theatre research studies II

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Black-eyed See-usan

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Käya, ou, L'amour voyageur

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Quick-teach fun dances for recreational groups

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The Girl star dance book

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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The state of innocence and fall of man

by John Dryden

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Tom Jones

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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A new ballet in one act and three tableaux by M. Appiani entitled La reine des feux-follets

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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A manual of the theory and practice of classical theatrical dancing (Classical ballet; Cecchetti method)

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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A new, light, romantic opera entitled Cigarette

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Mademoiselle Plunkett from Her Majesty's Theatre having experienced one of the most successful debûts ever known on the English stage, will make her fourth appearance this evening, in the grand ballet of The revolt of the harem. This evening, Friday, November 1st, 1844, Her Majesty's servants will perform the first and second act of Weber's grand romantic opera of Der Freischutz ... After which, the opera of Acis & Galatea adapted and arranged for representation from the serenata of Handel. The poetry, with the exception of the introductory scene, by Gay. ... To conclude with (4th time) the grand fairy ballet (in three acts) entitled The revolt of the harem ... with new music, scenery, machinery, dresses, and decorations. The music composed by Mons. T. Labarre ...

by Carl Maria von Weber

Cover of Mademoiselle Plunkett from Her Majesty's Theatre having experienced one of the most successful debûts ever known on the English stage, will make her fourth appearance this evening, in the grand ballet of The revolt of the harem. This evening, Friday, November 1st, 1844, Her Majesty's servants will perform the first and second act of Weber's grand romantic opera of Der Freischutz ... After which, the opera of Acis & Galatea adapted and arranged for representation from the serenata of Handel. The poetry, with the exception of the introductory scene, by Gay. ... To conclude with (4th time) the grand fairy ballet (in three acts) entitled The revolt of the harem ... with new music, scenery, machinery, dresses, and decorations. The music composed by Mons. T. Labarre ...
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The conduct of the four managers of Covent-Garden Theatre freely and impartially examined, both with regard to their present disputes, and their past management

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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Complete guide to dancing, ball room etiquette and quadrille call book

by John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection)

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