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Christiana Herringham and the Edwardian art scene
Christiana Herringham (1852-1929), an expert copyist of the Italian Old Masters, was an extraordinary and accomplished woman. Her achievements required a delicate balance, for she had to negotiate old Victorian restrictions in order "to find and fortify a place for herself" in the male-dominated spheres of fine-art administration and public service. Lady Herringham arrived on the Edwardian art scene with a translation of Il Libro dell' Arte o Trattato della Pittura, Cennini's fifteenth-century handbook on fresco and tempera. It aroused new interest in those techniques and led to the founding of the Society of Painters in Tempera in 1901. To preserve Britain's art heritage from buyers abroad, she provided the money that launched the National Art Collections Fund in 1903, creating what is still a vital and authoritative voice in Britain's cultural life. Her work as the only woman on...
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