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Black album / white cube
What happens when musicians adopt ideas from the art world?And what paintings, sculptures and video works arise when visual artists allow themselves to be influenced by music? This is the common thread of the exhibition 'Black Album / White Cube ? A Journey into Art and Music', curated by Max Dax, the former editor-in-chief of Spex and Electronic Beats Magazine. The book features modern classics such as Peter Saville?s album cover design of Joy Division?s 'Unknown Pleasures' (and a meditation on their derivatives), Emil Schult?s 'Autobahn' painting for Kraftwerk, as well as Arthur Jafa?s apocalyptic video installation APEX that rewrites pop history to the pulsating beat of a Detroit techno track by Robert Hood. The mutual influences between music and art become evident when Albert Oehlen is referencing Scooter and Rotterdam?s Euromasters in his paintings, and in photographs by Andrea...