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Benoît Van Innis (b. 1960) studied painting with Dan Van Severen at Sint-Lucas in Ghent. Shortly after graduating his drawings were published in De Morgen and De Standaard der Letteren. Since 1989, he has drawn 31 covers for The New Yorker. Benoît is widely known for the eight portraits he created for the tiled walls in the Brussels metro station Maalbeek. This beautiful work of art became the setting for a terrorist attack in 2016.00On Day 1 of the Belgian lockdown in the wake of the coronavirus pandemic Benoît van Innis made a drawing with a black felt-tip pen on an A4 sheet. He sent the...
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