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The book accounts for the four moments of the formation of contemporary art - the Brazilian neoconcretism, the 1960s production, the Japanese avant-garde group Gutai and the action and performance practices of the 1970's - and shows works produced between 1950 and the first decades of the 2000's The title of the exhibition makes reference to the movement of approach of the object of art to the daily experience of the spectator. With the curatorship of Rodrigo Moura and Inês Grosso, the show features various supportsand media, featuring works by artists such as Lygia Pape, Rivane...
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