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Cinéma et musique, accords parfaits
Where did the idea to use panpipes for the theme of the film Tall Blond Man with One Black Shoe? How a young rocker responded when two strangers said: "Hello, we are Joel and Ethan Coen, do you want to work for free on our first film"? What did Pedro Almodóvar say when his future composer told him at their first meeting: "I warn you, I'm very shy"? And how to behave, when the director of Cyrano de Bergerac tells you: "This is a film of the 20th century, based on a play of the 19th and the action happens in the 17th century. What kind of music do you suggest?" The answers to these questions, and hundreds more, you'll find in this unique book. For the first time, a book gives voice to filmmakers and international composers, to talk about their collaborations. Il y a des musiques de cinéma que nous pouvons fredonner instantanément... Mais ce que l'on ignore, et qui sera révélé dans cet...
