Recasting autobiography

Barbara Kosta

"How did we become the way we are?" The question that haunts Christa Wolf's autobiographical work Patterns of Childhood has prompted many other writers and filmmakers to examine their identities as postwar German women. In one of the first books to address the New German Cinema from a feminist perspective, Barbara Kosta looks closely at two autobiographical films; Helma Sanders-Brahms's Germany, Pale Mother and Jutta Bruckner's Years of Hunger, and at two books, Ruth Rehmann's Der Mann auf der Kanzel: Fragen an einen Vater (The man in the pulpit: Questions for a father,) and Wolf's Patterns of Childhood. In different ways, Kosta shows, these works of the 1970s and 1980s have recast traditional autobiography, offering fresh characters in new roles exploring innovative forms of expression, and confronting long-repressed themes such as the devaluation of the female voice and the horror...

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