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New worlds from fragments

Bringing together the insights of literary criticism, film theory, history, and anthropology, this book explores the tradition of ethnographic film on the Northwest Coast and its relationship to the ethnography of the area. Rosalind Morris takes account of these films, organizing her discussions around a series of detailed readings and viewings that treat questions of form and content in broadly historical terms. Asking why the films took the direction they did, each with a distinct representational strategy, and how the written and filmic ethnographies of the area have differed from each...

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