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gareth's lists - Books I Like (30 books)

Cover of The Handmaid's Tale

The Handmaid's Tale

Margaret Atwood

The Handmaid's Tale is a dystopian novel by Canadian author Margaret Atwood, published in 1985. It is set in a near-future New England, in a strongly patriarchal, totalitarian theonomic state, known as the Republic of Gilead, which has overthrown the United States government. The central character and narrator is a woman named Offred, one of the group known as "handmaids", who are forcibly assigned to produce children for the "commanders" — the ruling class of men in Gilead. The novel explores themes of subjugated women in a patriarchal society, loss of female agency and individuality, and the various means by which they resist and attempt to gain individuality and independence. The Handmaid's Tale won the 1985 Governor General's Award and the first Arthur C. Clarke Award in 1987; it was also nominated for the 1986 Nebula Award, the 1986 Booker Prize, and the 1987 Prometheus Award. ---------- Also contained in: [Novels](https://openlibrary.org/works/OL24301311W)

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The fire next time

James Baldwin

**From Amazon.com:** A national bestseller when it first appeared in 1963, *The Fire Next Time* galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature.

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Cover of The Road

The Road

Cormac McCarthy

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Cover of The Hitch Hiker's Guide to the Galaxy

The Hitch Hiker's Guide to the Galaxy

Douglas Adams

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Cover of How Fascism Works

How Fascism Works

Jason Stanley

As the child of refugees of World War II Europe and a renowned philosopher and scholar of propaganda, Jason Stanley has a deep understanding of how democratic societies can be vulnerable to fascism: Nations don’t have to be fascist to suffer from fascist politics. In fact, fascism’s roots have been present in the United States for more than a century. Alarmed by the pervasive rise of fascist tactics both at home and around the globe, Stanley focuses here on the structures that unite them, laying out and analyzing the ten pillars of fascist politics—the language and beliefs that separate people into an “us” and a “them.” He knits together reflections on history, philosophy, sociology, and critical race theory with stories from contemporary Hungary, Poland, India, Myanmar, and the United States, among other nations. He makes clear the immense danger of underestimating the cumulative power of these tactics, which include exploiting a mythic version of a nation’s past; propaganda that twists the language of democratic ideals against themselves; anti-intellectualism directed against universities and experts; law and order politics predicated on the assumption that members of minority groups are criminals; and fierce attacks on labor groups and welfare. These mechanisms all build on one another, creating and reinforcing divisions and shaping a society By uncovering disturbing patterns that are as prevalent today as ever, Stanley reveals that the stuff of politics—charged by rhetoric and myth—can quickly become policy and reality. Only by recognizing fascists politics, he argues, may we resist its most harmful effects and return to democratic ideals.

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Cover of A Queda

A Queda

Albert Camus

Num bar de marinheiros em Amesterdão, um homem que se apresenta como juiz-penitente enceta conversa com um desconhecido. Entre copos de Genebra e deambulações pelas ruas daquela cidade de canais concêntricos, a fazer lembrar os círculos do inferno, recorda a sua vida passada como respeitável advogado parisiense, insuperável na defesa de causas nobres e nas conquistas amorosas. Mas à medida que a confissão se desenrola as ambiguidades acumulam-se, os motivos ocultos revelam-se, os triunfos desabam. Narrativa mordaz, de uma ironia brilhante, A Queda descreve uma viagem de decadência até às mais obscuras infâmias do homem moderno. Publicado pela primeira vez em 1956, foi o último livro de ficção lançado em vida por Albert Camus.

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Twilight of Democracy

Anne Applebaum

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Daring Greatly

Brené Brown

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Cover of The System

The System

Robert B. Reich

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Cover of Danny, The Champion of the World

Danny, The Champion of the World

Roald Dahl

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Note sur la suppression générale des partis politiques

Simone Weil

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On the abolition of all political parties

Simone Weil

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What Strange Paradise

Omar El Akkad

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Talking to Strangers

Malcolm Gladwell

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Cover of White Fragility

White Fragility

Robin J. DiAngelo

White people in North America live in a social environment that protects and insulates them from race-based stress. This insulated environment of racial protection builds white expectations for racial comfort while at the same time lowering the ability to tolerate racial stress. Although white racial insulation is somewhat mediated by social class (with poor and working class urban whites being generally less racially insulated than suburban or rural whites), the larger social environment insulates and protects whites as a group through institutions, cultural representations, media, school textbooks, movies, advertising, and dominant discourses. Racial stress results from an interruption to what is racially familiar. In turn, whites are often at a loss for how to respond in constructive ways., as we have not had to build the cognitive or affective skills or develop the stamina that that would allow for constructive engagement across racial divides. leading to what I refer to as White Fragility. White Fragility is a state in which even a minimum amount of racial stress becomes intolerable, triggering a range of defensive moves. These moves include the outward display of emotions such as anger, fear, and guilt, and behaviors such as argumentation, silence, and leaving the stress-inducing situation. These behaviors, in turn, function to reinstate white racial equilibrium. This book explicates the dynamics of White Fragility and how we might build our capacity in the on-going work towards racial justice. ([source][1]) [1]: https://robindiangelo.com/publications/

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Cover of Mediocre

Mediocre

Ijeoma Oluo

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Brave New World

Aldous Huxley

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Cover of The Body Keeps the Score

The Body Keeps the Score

Bessel A. Van Der Kolk

Trauma is a fact of life. Veterans and their families deal with the painful aftermath of combat; one in five Americans has been molested; one in four grew up with alcoholics; one in three couples have engaged in physical violence. Dr. Bessel van der Kolk, one of the world’s foremost experts on trauma, has spent over three decades working with survivors. In _The Body Keeps the Score_, he uses recent scientific advances to show how trauma literally reshapes both body and brain, compromising sufferers’ capacities for pleasure, engagement, self-control, and trust. He explores innovative treatments—from neurofeedback and meditation to sports, drama, and yoga—that offer new paths to recovery by activating the brain’s natural neuroplasticity. Based on Dr. van der Kolk’s own research and that of other leading specialists, _The Body Keeps the Score_ exposes the tremendous power of our relationships both to hurt and to heal—and offers new hope for reclaiming lives.

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gareth added this book to Popular Psychology, over 2 years ago
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Cover of Slaughterhouse-Five

Slaughterhouse-Five

Kurt Vonnegut

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Cover of The Dorito effect

The Dorito effect

Mark Schatzker

"In The Dorito Effect, Mark Schatzker shows us how our approach to the nation's number one public health crisis has gotten it wrong. The epidemics of obesity, heart disease, and diabetes are not tied to the overabundance of fat or carbs or any other specific nutrient. Instead, we have been led astray by the growing divide between flavor--the tastes we crave--and the underlying nutrition" -- provided by publisher.

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Snakes in Suits, Revised Edition

Dr. Paul Babiak

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La sombra del viento

Carlos Ruiz Zafón

Un amanecer de 1945, un muchacho es conducido por su padre a un misterioso lugar oculto en el corazón de la ciudad vieja: el Cementerio de los Libros Olvidados. Allí, Daniel Sempere encuentra un libro maldito que cambia el rumbo de su vida y le arrastra a un laberinto de intrigas y secretos enterrados en el alma oscura de la ciudad. La Sombra del Viento es un misterio literario ambientado en la Barcelona de la primera mitad del siglo xx, desde los últimos esplendores del Modernismo hasta las tinieblas de la posguerra. Aunando las técnicas del relato de intriga y suspense, la novela histórica y la comedia de costumbres, La Sombra del Viento es sobre todo una trágica historia de amor cuyo eco se proyecta a través del tiempo. Con gran fuerza narrativa, el autor entrelaza tramas y enigmas a modo de muñecas rusas en un inolvidable relato sobre los secretos del corazón y el embrujo de los libros cuya intriga se mantiene hasta la última página. Todavía recuerdo aquel amanecer en que mi padre me llevó por primera vez a visitar El Cementerio de los Libros Olvidados ([source][1]) ---------- See also: - [La Sombra del Viento. 1/2](https://openlibrary.org/works/OL17742759W/La_Sombra_del_Viento._1_2) - [La Sombra del Viento. 2/2](https://openlibrary.org/works/OL18072597W/La_Sombra_del_Viento._2_2) [1]: http://www.carlosruizzafon.com/es/la-sombra-del-viento/index.php

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Cover of Exit West

Exit West

Mohsin Hamid

"In a country teetering on the brink of civil war, two young people meet-- sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors-- doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. [This book] follows the couple as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are."--From regular print book.

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Cover of The Day of the Triffids

The Day of the Triffids

John Wyndham

When Bill Masen wakes up blindfolded in hospital there is a bitter irony in his situation. Carefully removing his bandages, he realizes that he is the only person who can see: everyone else, doctors and patients alike, have been blinded by a meteor shower. Now, with civilization in chaos, the triffids - huge, venomous, large-rooted plants able to 'walk', feeding on human flesh - can have their day.The Day of the Triffids, published in 1951, expresses many of the political concerns of its time: the Cold War, the fear of biological experimentation and the man-made apocalypse. However, with its terrifyingly believable insights into the genetic modification of plants, the book is more relevant today than ever before. [Comment by Liz Jensen on The Guardian][1]: > As a teenager, one of my favourite haunts was Oxford's Botanical Gardens. I'd head straight for the vast heated greenhouses, where I'd pity my adolescent plight, chain-smoke, and glory in the insane vegetation that burgeoned there. The more rampant, brutally spiked, poisonous, or cruel to insects a plant was, the more it appealed to me. I'd shove my butts into their root systems. They could take it. My librarian mother disapproved mightily of the fags but when under interrogation I confessed where I'd been hanging out – hardly Sodom and Gomorrah – she spotted a literary opportunity, and slid John Wyndham's The Day of the Triffids my way. I read it in one sitting, fizzing with the excitement of recognition. I knew the triffids already: I'd spent long hours in the jungle with them, exchanging gases. Wyndham loved to address the question that triggers every invented world: the great "What if . . ." What if a carnivorous, travelling, communicating, poison-spitting oil-rich plant, harvested in Britain as biofuel, broke loose after a mysterious "comet-shower" blinded most of the population? That's the scenario faced by triffid-expert Bill Masen, who finds himself a sighted man in a sightless nation. Cataclysmic change established, cue a magnificent chain reaction of experimental science, physical and political crisis, moral dilemmas, new hierarchies, and hints of a new world order. Although the repercussions of an unprecedented crisis and Masen's personal journey through the new wilderness form the backbone of the story, it's the triffids that root themselves most firmly in the reader's memory. Wyndham described them botanically, but he left enough room for the reader's imagination to take over. The result being that everyone who reads The Day of the Triffids creates, in their mind's eye, their own version of fiction's most iconic plant. Mine germinated in an Oxford greenhouse, in a cloud of cigarette smoke. [1]: http://www.guardian.co.uk/books/2011/may/14/science-fiction-authors-choice

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The Kite Runner

Khaled Hosseini

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American War

Omar El Akkad

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Slaughterhouse-five by Kurt Vonnegut

Leonard Mustazza

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Fahrenheit 451

Ray Bradbury

Fahrenheit 451 is a 1953 dystopian novel by American writer Ray Bradbury. Often regarded as one of his best works, the novel presents a future American society where books are outlawed and "firemen" burn any that are found. The book's tagline explains the title as "'the temperature at which book paper catches fire, and burns": the autoignition temperature of paper. The lead character, Guy Montag, is a fireman who becomes disillusioned with his role of censoring literature and destroying knowledge, eventually quitting his job and committing himself to the preservation of literary and cultural writings. The novel has been the subject of interpretations focusing on the historical role of book burning in suppressing dissenting ideas for change. In a 1956 radio interview, Bradbury said that he wrote Fahrenheit 451 because of his concerns at the time (during the McCarthy era) about the threat of book burning in the United States. In later years, he described the book as a commentary on how mass media reduces interest in reading literature. In 1954, Fahrenheit 451 won the American Academy of Arts and Letters Award in Literature and the Commonwealth Club of California Gold Medal. It later won the Prometheus "Hall of Fame" Award in 1984 and a "Retro" Hugo Award, one of a limited number of Best Novel Retro Hugos ever given, in 2004. Bradbury was honored with a Spoken Word Grammy nomination for his 1976 audiobook version. ---------- Also contained in: - [451° по Фаренгейту: Рассказы](https://openlibrary.org/works/OL17811384W/Fahrenheit_451_stories) - [451° по Фаренгейту: повести и рассказы](https://openlibrary.org/works/OL27741633W) - [Works](https://openlibrary.org/works/OL28185143W)

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Freakonomics

Steven D. Levitt

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Who Moved My Cheese?

Spencer Johnson

Who Moved My Cheese? takes the form of a parable wrapped in a fictional frame-story. The parable is fine and, judging by this book's success, clearly speaks on a motivational level to many people. Its moral is simple enough: things are always changing, be alert for early signs of change, be ready to adapt, and don't fear change. Of course, the most simple messages are often the most important. Given this, this short little book (94 pages) may be a comforting read for organizations or individuals currently dealing with situations in which the old way of doing things is no longer working and a new way has to be found.

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